Friday, March 30, 2012

I don't know how I have missed her

I am listening to Helene Grimaud for the first time.



It has bothered me that all the pianists I admire--Serkin, Pollini, Argerich, Ashkenazy, Richter, Brendal, Gould, Perahia, Schiff --are all either, well, older than I am or dead. Helen Grimaud changes that.



I don't know how I have missed her

I am listening to Helene Grimaud for the first time.

http://youtu.be/g3Uzi0Vndbo

It has bothered me that all the pianists I admire--Serkin, Pollini, Argerich, Ashkenazy, Richter, Brendal, Gould, Perahia, Schiff --are all either, well, order than I am or dead. Helen Grimaud changes that.



Monday, February 20, 2012

Karajan

I have the same problem with Karajan as a musician that many others do: he thought all rough edges need to be sanded down to something smooth. But damn his Berlin Philharmonic was great.

Sunday, February 5, 2012

Pollini as a young man

Playing the Emperor with Abbado in 1967.  Best left hand in the east, west, or anywhere else.

Sunday, October 30, 2011

Hardest Symphony to Start?

For the first time in some time, I put the Carlos Kleiber recording of Beethoven's 5th on the turntable thing morning; while listening, I was reminded of a Georg Solti comment about how difficult it is to start the symphony (I tried finding a direct quote, but to no avail).

If one looks at the score, one can see why:


Three problems.  The piece is very fast (Allegro con brio); the piece starts off the beat; and it is easy to turn those straight eighth-notes (or quavers, as they say in England) into triplets.  It would help to beat a silent measure before beginning, but I am sure that is not a cool thing for a professional conductor to do.